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《天地魔術》(Heaven and Earth Magic)1957

動漫類型:劇場動畫

文件大小:667.4 MB

語言類型:繁體中文

更新時間:2017/7/13

資源發布:動漫電驢下載基地

《天地魔術》(Heaven and Earth Magic)1957 簡介: 簡介: 英文名: Heaven and Earth Magic 導 演: ( Harry Smith ) 主 演: 上 映: 1962年 地 區: 美國 美國 對 白: 英語 顏 色: 黑白 聲 音: 單聲道(Mono) 時 長: 66 類 型: 動畫 天地魔術 (也稱為12號 , 魔術功能 ,或天地魔術功能 )是美國 前衛 電影由哈裡埃弗裡特史密斯提出。 最初於1957

"《天地魔術》(Heaven and Earth Magic)1957"Anime介紹:
簡介:
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英文名: Heaven and Earth Magic
導 演: ( Harry Smith )
主 演:
上 映: 1962年
地 區: 美國 美國
對 白: 英語
顏 色: 黑白
聲 音: 單聲道(Mono)
時 長: 66
類 型: 動畫
天地魔術 (也稱為12號 , 魔術功能 ,或天地魔術功能 )是美國 前衛 電影由哈裡埃弗裡特史密斯提出。 最初於1957年,它是重新編輯幾次,最後的版本是在1962年
Heaven and Earth Magic (Number 12) (1962)
Título alternativo: Heaven and Earth Magic
Director: Harry Smith min.
Duración: 66 min.
País: USA
Reparto:
Sinopsis: To cinephiles, Harry Smith is best known as a practitioner of visual music, a specialized experimental film form. And, for many, Heaven and Earth Magic represents Smith's masterwork in this form. Attempts to explain the film rub against the point of it. The narrative aspect features a woman chasing a dog that has taken her watermelon. Surrounding this “tale” is a series of synesthetic transformations and Kabbalistic icons, a synthesis of the organic and spiritual with the arbitrary and random. Moreover, the title Heaven and Earth Magic is merely a convenience as this, like so many of Smith's films, was originally “Untitled.” Smith traded in ambiguity, and not only in the film world. He has been alternately described as a filmmaker, musicologist, linguist, alchemist, collector and crackpot. While the intense impact he made on American culture cannot be denied, it seems that his figure has only recently popped up at the fringes of popular consciousness—perhaps this is just as he would have wanted. It's doubtful that a full accounting of all of his contributions will ever be made, but luckily the Harry Smith Archives have helped to preserve many of his writings, art works and films. With help from the Archives, SFIFF is honored to present Heaven and Earth Magic with an original score composed and performed live by avant-pop band Deerhoof. After the feature film screening, Deerhoof will play a mindblowing set while we project Films 1-5 of Smith's Early Abstractions (1946-50).
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