動漫電驢下載基地

中文名: 奎氏兄弟動畫作品集英文名: Quay Brothers資源格式: DVDRip版本: 1979 - 2003　木偶動畫發行時間: 1979年導演: Stephen Quay
Timothy Quay地區: 美國語言: 英語簡介:


《奎氏兄弟動畫作品集》
源為國外的，耐心些就會下完。
　　The Brothers Quay Collection: Ten Astonishing Short Films 1984-1993 (1984)
　　奎氏兄弟 Brothers Quay
　　孿生兄弟史蒂芬(Stephen Quay)和狄莫瑞·奎(Timothy Quay)1947年生於美國賓夕法尼亞州費城近郊，受到費城濃郁的歐洲移民文化氛圍的影響，他們自幼產生對歐洲（尤其東歐）文化的濃厚興趣。 奎氏兄弟原先就讀於賓夕法尼亞藝術大學，1969-72年在倫敦王室藝術學院學習並開始制作短片。78年，他們在荷蘭住了一段時間後移居倫敦至今，並開始同校友基思·格裡菲斯(Keith Griffiths)的合作，成立Koninck工作室，創作特異的停格動畫電影。
　　
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he twin Brothers Quay are Stephen and Timothy Quay. They were born near Philadelphia in a town with a large European immigrant population, which fuelled their interest in European culture. They studied at the Royal College of Art in London. Funded largely by the BFI and by Channel 4, the Quay Brothers have produced a unique body of work and have established the puppet film as a serious adult art form. These works, usually non-narrative, filter a huge range of literary, musical, cinematic and philosophical influences through their own utterly distinctive sensibility. Many of them draw on a variety of Austrian, Polish and Czechoslovakian sources.
　　
　　 奎氏兄弟是一對雙胞胎，名為Stephen Quay和Timothy Quay。他們出生於費城附近的一個小鎮，那裡有大量的歐洲移民，兄弟倆因此受到了歐洲文化的熏陶。他們在倫敦的皇家藝術學院完成了他們的學習生活。在BFI 和Channel 4的大力資助下，奎氏兄弟創作了很多獨一無二的作品，並將偶類動畫演變成一種嚴肅的成人藝術形式。這些作品通常都不是敘事體裁，它們完全融合了兄弟倆特別的內心感覺，浸潤著大量的文學、音樂、電影和哲學要素。而且許多作品都帶有奧地利、波蘭和捷克斯洛伐克藝術的痕跡。
　　
　　
　　The Cabinet of Jan ?vankmajer
　　
　　揚·史雲梅耶的櫥櫃
　　
　　1984 13‘40“
　　 It's a tribute to the Czech animation master Jan ?vankmajer who is their inspiration. In this film ?vankmajer's head is an opened book. He teaches an unnamed child about illusions and perspectives.
　　
　　 The program was made up of extracts from ?vankmajer's work interspersed with analysis from critics, art historians and Surrealists, linked by nine animated sequences by Quay Brothers.
　　
　　 這是向他們的啟蒙者Jan ?vankmajer致敬的作品。在影片中?vankmajer的腦袋是一本打開的書。他在教授一個無名兒童關於幻覺和透視的知識。
　　
　　 作品摘錄了?vankmajer的一些作品片段，穿插著批評家、藝術史學家和超現實主義者的評論，奎氏兄弟用自己的九段動畫把它們串連起來。
　　
　　
　　This Unnameable Little Broom
　　
　　沒有名字的小掃帚
　　
　　1985 10'45
　　
　　 A reduction of the Epic of Gilgamesh, the earliest surviving work of literature. The Gilgamesh figure is a sort of grotesque fascist despot on a tricycle, ruthless patrolling his sandbox kingdom. The film was produced with some fabulous design and rapid, mechanical camera movements.
　　
　　 現存最古老的文學作品《吉爾伽美什史詩》的簡化版。Gilgamesh樣子稀奇古怪，像個法西斯暴君，他騎著三輪車在沙池王國中無情地巡視著。影片有很多不錯的設計構思，鏡頭移動快速而且機械。
　　
　　
　　Street of Crocodiles
　　
　　鳄魚街
　　
　　1986 20’35”
　　
　　 Adapted from a short story by Polish writer Bruno Schulz, Street Of Crocodiles takes the mixture of organic material and mechanical objects further. A man spits into the eyepiece of an old kinetoscope and sets the musty machine in motion, plunging the viewer into a netherworld among the dirt and grime. Screws twist out of objects and move about. Bizarre machines perform pointlessly repetitive and unproductive tasks and a small urchin brings supposedly inanimate objects to life by casting reflected light upon them.
　　
　　 鳄魚街》改編自波蘭作家Bruno Schulz的 一部短篇小說 ，它更進一步地將有機材料和機械物體做了混合使用。一個男人往一台老放映機的鏡頭上吐了口唾沫，這台發霉的機器就運轉起來，把觀眾帶進一個灰塵污穢中的陰曹地府。螺絲從物體中扭動出來，四處活動。一些奇怪的機器毫無目的地重復著沒有效益的工作，一個小頑童將光照射在無生命的物體上使它們活動起來。
　　
　　
　　Stille Nacht 1 - Dramolet
　　
　　平安夜1：德拉莫萊特
　　
　　1988 1'45
　　
　　 Making use of magnets and iron filings, the Quays create an eerie frosting on a Christmas scene.
　　
　　 奎氏兄弟使用磁鐵和鐵屑為聖誕節場景制作了一層怪異的霜。
　　
　　
　　Anamorphosis
　　
　　失真圖像
　　
　　1991 13'45
　　
　　 This documentary is about an artistic technique, anamorphosis, which often used in the 16th and 17th centuries. It relies on a deliberately deformed image that can be made to reappear in its true shape when viewed in an unusual way. Quay Brothers provide several examples.
　　
　　 這部紀錄片是關於圖像失真這種藝術技法的，此技法在十六、十七世紀經常被采用。它故意將圖像進行變形處理，使其在非常規方式下觀看才會顯示本來形狀。奎氏兄弟列舉了一些例子。
　　
　　
　　Stille Nacht II - Are We Still Married?
　　
　　平安夜2：我們的婚姻還存在嗎？
　　
　　1992 3'19
　　
　　 When indie label 4AD were putting out the most interesting music, Quay Brothers agreed to create a music video for the band His Name Is Alive. It was initially inspired by a photo of a girl standing in front of a door holding a paddle. She repeatedly stretches her legs to stand on tip toe in a rhythmic motion, watched by a little rabbit.
　　
　　 A mournful voice sings, Are we still married?
　　
　　 當獨立廠牌4AD不斷發行有趣的音樂作品時，奎氏兄弟同意為His Name Is Alive樂隊制作一部音樂片。該片最初的靈感來自於一幅手握球拍站在門前的女孩照片。她隨著節奏不停地踮著腳尖，一旁有只小兔子看著她。
　　
　　 一個悲切的聲音唱著，“我們的婚姻還存在嗎？”
　　
　　
　　Still Nacht III - Tales From Vienna Woods
　　
　　平安夜3：維也納森林的故事
　　
　　1992 4'10
　　
　　 A gun is fired and a bullet flies through the surrounding forest. A deer is shot. As the camera circles slowly around to the front, we see that the table has been decorated with the same antlers.
　　
　　 一支槍開火了，子彈飛向周圍的樹林。一只鹿被射中。鏡頭緩慢向前，我們看到桌子也裝飾著鹿角。
　　
　　
　　 Still Nacht IV - Can't Go On Without You
　　
　　平安夜4：沒有你不會誤入歧途
　　
　　1993 3'47
　　
　　
　　 Another video for His Name is Alive revisits the imagery and characters of Are We Still Married?, and set in the same world as the previous promo. A new character, black-clad male figure wearing a demonic mask, seems locked in a power struggle with the rabbit who is trying to prevent him from obtaining a precious egg.
　　
　　 另一部為His Name is Alive制作的影片，有著跟《我們的婚姻還存在嗎？》相同的意象和主角，場景也一樣。一個新角色，戴著惡魔面具的黑衣男子，似乎被魔力束縛，而且魔力來自兔子，它正努力阻止他拿到那只寶貴的蛋。
　　
　　
　　Rehearsals for Extinct Anatomies
　　
　　演練失傳的解剖
　　
　　1987 13'56
　　
　　 The starting point was a piece of music that Leszek Jankowski had written for a Kafka-themed project. It is also loosely inspired by an etching by Fragonard. Oscillating hands each hold a pen. Lines become jumbles that become balls. A forlorn woman lies in bed. Some brutal destruction is remorselessly rehearsed outside the door.
　　
　　 Leszek Jankowski為一部卡夫卡式作品所作的音樂成為該片的出發點，它還多多少少地從Fragonard的蝕刻畫中獲取了靈感。每個擺動臂都握著一支鋼筆，線條越來越亂後來變成了球。一個孤獨的女人躺在床上。門外，毀滅正無情地上演。
　　
　　
　　The Comb
　　
　　核子
　　
　　1990 19'23
　　
　　 Based on a fragment of text by the Austrian writer Robert Walser. It opens in the shadowy bedroom of a black white sequence. A beauty restlessly sleeps in her bed. The surreal room with saturated colours seems to be controlled by the girl. The soundtrack alternates between multilingual gibberish and Leszek Jankowski's guitar-based score.
　　
　　 根據奧地利作家Robert Walser的文字片段改編。開頭是黑白場景中的幽暗臥室。一個美女不安地睡在床上。超現實風格的屋子色彩很飽和，它好像是被女孩掌控著。影片聲音背景有時是各種語言的胡言亂語，有時是Leszek Jankowski的吉他演奏。
　　
　　
　　In Absentia
　　
　　缺席
　　
　　2000 19'20
　　
　　 Sourced from an electronic piece originally composed for the opera Freitag in 1991, it's a collaboration with the celebrated avant-garde composer Karlheinz Stockhausen. In a room penetrated by shifting light, a white-dressed woman writes a letter obsessively to her long-absent husband. The pencils, the sharpener, the paper, clenching hands, blackened fingernails convey her mindscape.
　　
　　 取材於1991年的歌劇Freitag中的一個電子音樂片段，它是和著名前衛作曲家Karlheinz Stockhausen合作完成的。變幻的光線照射著屋子，裡面有個白衣女人，正迷亂地給長期在外的丈夫寫信。鉛筆、卷筆刀、紙張、握緊的手、黑色的指甲傳達出她的內心感受。
　　
　　
　　The Phantom Museum
　　
　　幽靈博物館
　　
　　2003 11’17”
　　
　　 Subtitled Random forays into the vaults of Sir Henry Wellcome (1853–1936)'s Medical Collection , it was created as a video installation for a British Museum exhibition. With no abstraction or surrealism the film is presented in a mixture of live-action and stop-motion animation. Many of the exhibits are explicitly sexualised.
　　
　　 副標題是“對Henry Wellcome爵士 (1853–1936)存放醫學收藏品的地窖的隨機參觀”，是為不列顛博物館的一個展覽所做的視頻裝置作品。影片既沒有抽象也沒有超現實，只是混合了真人表演和停格動畫兩種表現形式。很多陳列品都明白無誤地跟性有關。
The Cabinet of Jan Svamkmajer
(1984) (14 minutos)
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The Unnameable Little Broom
(1985) (11 minutos)
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Street Of Cocodriles
(1986) (21 minutos)
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Rehearsals For Extinc Anatomies
(1987) (14 minutos)
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Stille Nacht I - Dramolet
(1988) (2 minutos)
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The Comb
(1990) (17 minutos)
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Anamorphosis
(1991) (14 minutos)
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Stille Nacht II: Are We Still Married?
(1992) (3 minutos)
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Stille Nacht III: Tales From Vienna Woods
(1992) (4 minutos)
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Stille Nacht IV: Can't Go Wrong Without You
(1993) (4 minutos)
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In Absentia
(2000) (19 minutos)
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The Phantom Museum
(2003) (12 minutos)
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Nocturna Artificialia
(1979, 20 minutos)
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The Calligrapher
(1990, 1 minuto)
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