"《罪惡之城》(Sin City)[1"Anime介紹:
中文名: 罪惡之城英文名: Sin City版本: [1-6全][英文漫畫]Titan Books出版社發行時間: 2005年地區: 美國簡介:
基本全套了,值得收藏!不過……畫風絕對犀利,黑白沒有灰,最好先下一個適應看看。外加雖然標題刺激,但內容基本也就是G,所以不太用擔心分級問題的。
電影感覺不錯,下了再發布……頭一次把原來的CBR壓縮包都解了再做成ZIP的,終於敢說能用COMICSVIEWER了!不過這樣一來,只有我一個源了,大家耐心哦。
Book Description
From Amazon.com
Sin City launched the long-running, critically acclaimed series of comics novels by Frank Miller. Having worked on some of the most important comic books in the 1980s, including Marvel Comics s Daredevil and the influential Batman graphic novel The Dark Knight Returns, Miller was already a heavy-weight cartoonist, but he hit his stride with Sin City. It gave him the freedom that doesn t come when working on someone else s characters. While the art isn t as polished as in later books, it is in many ways the quintessential Sin City story: tough-guy Marv finds the girl of his dreams, an incredible beauty named Goldie. But when Goldie is murdered on their first night together, Marv scours the bars and back alleys of Sin City to find her killer in hopes of avenging her death.
The most diverse volume of Sin City material available, Booze, Broads, Bullets, showcases Frank Miller s vignettes and color experiments from throughout the years of his groundbreaking crime series, and includes art created especially for the original collection. A good entry point for new readers wondering what Sin City is all about - or longtime readers who can t get enough - Miller has painted a gritty, decadent, and gloriously dirty portrait. Have a taste of the city ... just one little taste. Just one.
Customer Reviews of the Day
Sin City is Absolute Heaven for Noir Fans.
No one in his right mind would argue with Frank Miller s pedigree as a comic artist. Miller single-handedly reinvented the superhero genre with his seminal Batman: The Dark Night Returns in 1986, then took on a flagging Daredevil title and made it the most gripping reading available in the comic book racks. Even the X-Clone fans had to applaud Miller for breathing life into a dying medium.
And then he created Sin City, making everything which came before seem amateurish in comparison.
Sin City is the story of a down-on-his-luck,dumb schlub named Marv who wanders into a tangled situation he cannot begin to understand. Naturally, his life heads straight down the toilet immediately after making love to an incredibly beautiful woman. Marv s single-minded pursuit of vengeance consumes the remainder of the series in true film noir fashion.
I could go on and on about the classic noir elements Miller blends into the tale, the obvious glee he takes in crafting this work, or the extraordinary nature of the villain he has constructed to be Marv s foil.
Forget all that and look at the art. It explodes off the page in glorious black and white. Miller s use of light and shadow and the cinematic nature of his composition is the most remarkable thing I have seen in the medium. The best way I can describe the illustrations in this series is to say it looks like a storyboard Orson Welles would have put together for Touch of Evil.
Let s face it: Sin City is no Othello. ( Titus Andronicus, maybe, Othello, no.) But Miller s not looking to create great literature here, as Chris Claremont often attempts in his overwrought X-Men. Instead, he s treating his fans to a tightly-wound, suspenseful romp through a visceral urban swamp.
This is a book you ll read straight through to the shocking end, and I heartily recommend it to anyone tired of the Todd McFarlane clones and their spandex jive.
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